The absurd is always close to us, more than we know or think about or realize. For movie directors and film companies there is much cachet to creating films that depict surrealist elements that are also realistic enough. There have been many of these, done by the most acclaimed directors and also with good box office performances.
Not only is surrealism a good and novel element in films, it has been a movement in art, novels and theater. There used to be such a good demand for specifically surreal comedies unlike what we have today, because audiences nowadays are accustomed to the surreal. This means that it is an already accepted element that does not turn off audiences.
This was related to Dadaism, a movement that was wild in its conceptions of the bizarre and the shocking. Surrealist imagery is connected to the subconscious brain, the one very active when people are sleeping. So artists know that it is very much a thing with humans, and even have connections to everyday life.
There were times these kind of comedy created waves on all sorts of art genres. For the films in Hollywood, a primary concern is if it will be commercially successful while achieving good critical reviews. People like Scorsese have come out with their own hit features that use all sorts of absurdist plots and themes.
So today the people who watch movies will not really have to say what is surreal or what is not. This is because the element is already a casual thing for audiences, and suspension of disbelief is very much the practice for these nowadays. So many surreal things have passed their eyes, made believable through technical means, and there are really surreal movies that are not even labeled so.
Technical stuff has really made all items possible for features, while the directors and writers find this very useful. An advantage is that these effects were made to help out in more complicated forms of making movies. So even if tech does not directly provide surrealistic scenes, the story can be the maker of these alone.
Writers and artists may know how to use it, and they can be developed for stage or screen. There are plays in which situations are really surreal but not out of this world, and in fact are very much rooted on physical realities. This is one thing that can distinguish the best kinds of comedies for this specific genre.
The production of movies like these should not be reliant on technology. But it is not exclusive to the use of any special effects that may apply. The more advanced or better quality movies can be told straight up, with just the basic technical equipment for features, and the surrealism will be better pronounced or played up according to how a director wants it to work.
The list of features that have surrealistic humor central to them is long. But reviews may vary, because a lot of these are B features, while there are only a fraction known mainstream. This is a relevant range, since there will be times that a director needs to use both extremes to make a good plot even better and have more impact.
Not only is surrealism a good and novel element in films, it has been a movement in art, novels and theater. There used to be such a good demand for specifically surreal comedies unlike what we have today, because audiences nowadays are accustomed to the surreal. This means that it is an already accepted element that does not turn off audiences.
This was related to Dadaism, a movement that was wild in its conceptions of the bizarre and the shocking. Surrealist imagery is connected to the subconscious brain, the one very active when people are sleeping. So artists know that it is very much a thing with humans, and even have connections to everyday life.
There were times these kind of comedy created waves on all sorts of art genres. For the films in Hollywood, a primary concern is if it will be commercially successful while achieving good critical reviews. People like Scorsese have come out with their own hit features that use all sorts of absurdist plots and themes.
So today the people who watch movies will not really have to say what is surreal or what is not. This is because the element is already a casual thing for audiences, and suspension of disbelief is very much the practice for these nowadays. So many surreal things have passed their eyes, made believable through technical means, and there are really surreal movies that are not even labeled so.
Technical stuff has really made all items possible for features, while the directors and writers find this very useful. An advantage is that these effects were made to help out in more complicated forms of making movies. So even if tech does not directly provide surrealistic scenes, the story can be the maker of these alone.
Writers and artists may know how to use it, and they can be developed for stage or screen. There are plays in which situations are really surreal but not out of this world, and in fact are very much rooted on physical realities. This is one thing that can distinguish the best kinds of comedies for this specific genre.
The production of movies like these should not be reliant on technology. But it is not exclusive to the use of any special effects that may apply. The more advanced or better quality movies can be told straight up, with just the basic technical equipment for features, and the surrealism will be better pronounced or played up according to how a director wants it to work.
The list of features that have surrealistic humor central to them is long. But reviews may vary, because a lot of these are B features, while there are only a fraction known mainstream. This is a relevant range, since there will be times that a director needs to use both extremes to make a good plot even better and have more impact.
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